Cutting out the shape with a saw |
Flux and solder on the tailpiece, ready
to solder |
Soldering the layers |
Engraving the front |
Colouring with oxidising solution |
All cleaned up and ready to wear |
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All my
inspiration comes from the natural world or representations
of nature, be it decoration on a medieval pot or a
Babylonian measure of weight in the shape of a duck.
I am equally happy nosing around a museum with a sketch
pad, as out and about with a pair of binoculars. I
am fascinated by the design possibilities of bird
plumage and a lot of my work to date has had bird
themes . However, a recent encounter with some enchanting
Pipistrelle bats led to a whole new range of bat jewellery.
Essentially self taught, I work on the flat. The shape
of the piece is sawn from a sheet of silver and then
built up a layer at a time. The areas to be applied
are cut out with very sharp snips and then soldered
into place. The last details are made with fine silver
wire. The dramatic black and white "wood cut" look
is achieved by oxidising the background and polishing
the foreground with a selection of mops and brushes.
These hand made pieces are a real joy to work on and
make me want to get up in the morning.
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